Categories
Photographic

Instagram up to their tricks again

When Instagram 2.0 came out I was pretty pissed off with it. There's a lot of retro Photo filter apps out there but Instagram 1.x had a good range of looks, a lovely atmosphere to many of the filters, and a great sharing mechanism that really kept the number of taps required to a minimum.

2.0 made a number of significant and subtle changes to the filters. They added Live Previews before you take a shot, but they removed much of the character of the filters including all the textures that gave the a filmic feel. They removed some filters altogether, notably a particularly lovely black and white called Gotham leaving just a watery contrast-free effort that rarely has much to offer, especially compared to the b&w options in something like Hipstamatic. And they added a few new filters, which all looked kind of similar to me.

I ranted about it, to no avail obviously. In time I was back using the app daily and grew to like some of the new filters (I find myself using Amaro almost exclusively) but I almost never posted another B&W with it again. I concluded that the muting of most of the filters had to do with the tech they put in place to do live previews.

Whatever the reason was, it seems that with the latest update, iPhone 5 users can't do Live Previews any more. I'm happily sticking with my 4S and I have the feature still available, but I never use it so I don't really care; I take the photo first and pick the filter later or I'd miss the moment.

Some believe the live previews being on their way out could be a symptom of Instagram dragging the iOS app down to the same capability of the Android version, so there is 'parity'. That is, giving iOS users the same experience Android users get because that's easier for Instagram to maintain, and/or presents a more unified experience (which to me, if they actually used that latter claim, would reek of a bullshit excuse).

On the other hand, it occurs to me that maybe they figured that live previews are kind of pointless because you can pick any filter you like after shooting your snap and not save it until you're happy. To me it seems plausible that they could just be streamlining out a feature that doesn't offer all that much; keeping it simple Jobs-style, knowing when to say no?

This change certainly won't make any difference to the way I use Instagram when it drips down to us 4S users, but nonetheless I would love to know the real reason why they're doing it. Objectively, I can't decide. Cynically, I know exactly which one I'd bet on.

 

Categories
Editorial Photographic Pictorial

Cockneys Versus Zombies is coming!

Last summer I did stills on Cockneys Versus Zombies (IMDb page), a comedy horror written by James Moran and Lukas Roche, directed by Matthias Hoene and starring Michelle Ryan, Harry Treadaway, Honor Blackman, Alan Ford, Rasmus Hardiker and plenty more equally great actors. It’s been a long time coming, but there’s finally a release date (August 31st) and a poster (over there on the left).

There’s also a load of new stills out there which is pleasing for me as there’s always such a long wait between taking the shots and then being able to share them; over a year in this case. Looking through Google Images it seems there’s around a dozen of mine out there now so I figure I can post them here too. There’s a handful of my favourites below and the rest are on my unit stills photography site.

I know I could be biased, but I reckon it’s going to be great; hordes of flesh-rotting zombies, buckets of gore, good laughs and lots of guns – well worth a trip to the flicks!

One of the undead gnaws on some poor unfortunate soul’s leg. Well, he wasn’t needing it anyway.
Alan Ford and Honor Blackman make a stand against the zombie invasion.
Rasmus Hardiker and Harry Treadaway mean business.
Harry Treadway and Michelle Ryan hope for a getaway aboard a London bus.
Ashley Bashy Thomas wielding a kick-ass shotgun in the face of the zombie hordes (just out of frame on the right…)
Categories
Photographic Pictorial

YoLandi Visser (two of them!) in the house

A couple of days ago I posted a gallery of my wife dressed up as YoLandi Visser from South African rap outfit Die Antwoord. If you don’t know them check out their videos on YouTube, starting with I Fink U Freeky, then go and buy their albums on iTunes. Heads up if you’re at work or near kids right now – they’re pretty direct. And kind of sweary.

(that’s a lot of links to swallow in the first paragraph so I’ll give you a second to check them out…

… before we continue)

Well that first shoot was a practice run for this Thursday, 5th of July, when she’s off to see them in London with her best friend, Carike, who is from South Africa herself and has been translating the lyrics when they lurch violently into Afrikaans. They’re both going to be dressing up as YoLandi and have been putting their costumes together for weeks, culminating last week with a delivery of brightly coloured plastic watches just like the ones YoLandi has on in the new video, so we got together at the garages behind our flat and had a joint photoshoot.

I really like some of the shots Hollie and I got first time but we both agreed that given who she’s playing the light was a bit too soft and warm in general; one of her favourites is harshly and simply lit.

This time I ran the flashes bare, no umbrella or softbox or even a gel, and we used more daylight. The location helped a lot too, and the YoLandis sparked off each other pretty good for the camera. I still feel like I ended up making the photos inside the garage look a bit too ‘lit’; overall I prefer the ones towards the end of the shoot when we were completely outside, but have a look and decide for yourself.

By the way, if you still haven’t checked out Die Antwoord, fair warning that pretending to be YoLandi Visser means makin’ out like a bad ass mofo, yo, just so long as you know it’s all fo’ show… 😉

my wife as yolandi visser

This silhouette shot was initially a total fluke as the flash lighting the foreground didn’t fire. Loved the effect and got a couple more. The flash was at the bottom of frame so I Photoshopped it out quickly. Obviously that’s purest South African moonshine in the bottle and not water.

my wife as yolandi visser

my wife as yolandi visser

Gold shoes, gold rings, gold medallions, gold leggings, blonde wigs, custom t-shirts, slap-strap watches… they look totally ZEF.

my wife as yolandi visser

my wife as yolandi visser

my wife as yolandi visser

my wife as yolandi visser

my wife as yolandi visser

I love all these ones at the garage doors. Just one flash here, high camera left, behind and above me, filling in a slightly underexposed ambient, on a Daylight white balance. I really love the mood of these shots.

my wife as yolandi visser

This is one of my favourites of the whole shoot.

my wife as yolandi visser

my wife as yolandi visser

my wife as yolandi visser

We took a break to have biscuits and coffee sat on the floor of the garage, and go through some pictures. I had Die Antwoord playing on my iPad while we were shooting so the YoLandis got some more practice in.

my wife as yolandi visser

my wife as yolandi visser

my wife as yolandi visser

After elevenses we moved to the end of the garages. I had the lights set up roughly where I wanted them and ran back to our garage to grab my bag. Grabbed this one quickly, on the move, to see if the triggers were up and running; it gives you an idea of how the next bunch were done.

Hollie used to be a cheerleader; still got the moves!

This last one wasn’t planned, but a neighbour pulled up on his bike as we were finishing so we grabbed one posing with it – it’s extra cool because we noticed that it says NINJA on the bike – perfect!

Hope you enjoyed the photos as much as we enjoyed making them. Thanks for reading!

Categories
Photographic Pictorial

Hollie as Yolandi Visser

My wife and I are big fans of Die Antwoord, a rap double act from South Africa. They’re coming to the UK next month and Hollie and her friend, Carike, have not only got tickets, they’re planning to go in costume as Yolandi Vi$$er herself and I thought that would make for a brilliant photo opportunity or two.

Last weekend Hollie and I did a practice run in the hallway of our apartment building, and while I’m not sure I’ll necessarily duplicate all these lighting setups for the ‘real thing’, we definitely got some great shots. I shot RAW and in CaptureNX 2 I did some exposure and white balance tweaks to give them a colder look than the glossy warm and golden look they were shot with, which in retrospect I didn’t feel was suitable for the subject matter as Yolandi generally presents herself as a ‘real’ person dripping with attitude, as opposed to a glossy, slick production.

I think the best Die Antwoord pictures are often taken in natural light so for the next session we’re going to head out to the garages behind our building and do something there with maybe the occasional flash shot thrown in for variety, but focussing instead on letting Hollie and Carike bounce off each other without having to worry about staying in the light. They bounce off each other a lot, you see…

In the meantime here’s my favourite shots from the shoot.

 

Categories
Photographic Pictorial

behind the scenes of a music promo shoot for Linda Harrison

On Wednesday my friend Tristan Versluis was shooting some pick-ups for a promo he’s directed for Linda Harrison. The video was pretty much complete but they needed a few extra shots and I went along just to tag along and take some photographs for myself and anyone who wanted any; keeps me off the streets, or more accurately off the XBOX.

The shoot was in the upstairs room at The Old Queen’s Head, near Angel tube, which has these fantastic ceiling light fixtures made from what looks like old gramophone horns. There’s an old, lived-in atmosphere to the place, leather covered booths, golden-framed mirrors, peeling paint and a wooden floor, although very little of that was going to be seen as it happens.

Tristan just needed a few shots of a man approaching a woman in a dark, crowded bar while a band plays on the stage (which, obviously, was Linda herself – I don’t think I can tell you the name of the track yet though). It only took a couple of hours and didn’t give away any of the story but I’ve seen shots from the rest of the shoot and it’s a typical Versluis production; strikingly lit and shot by Stuart White and a deliciously twisted story focussed on a seductive woman (played by Annette Kellow) and how she selects partners to take home, set to a terrific track by Linda Harrison that I still can’t tell you about, sorry. It’s going to be great.

So, here’s my pick of the hundred-odd shots I kept from the afternoon, with captions here and there so you know what’s going on. Enjoy, and thanks for visiting.

Make-up, actors, Tristan chatting, Stuart setting up lights...
Tristan shows actor Peter Caxado frames from the rest of the promo
This makes me laugh every time. Timing is everything 😉
Justyna Dobrowolska doing Annette Kellow's makeup as Tristan talks through the shots he needs
The daylight on Annette's face was so strong the rest of the room is plunged into darkness
I really love this shot of Annette in makeup - that's the D700's own B&W; it's pretty good, and I'm lazy.
Last minute hair touch-ups. One of the cameras in the background there.
There were lots of moments like this, Tristan and Stuart deep in discussion of lighting and framing.
I liked making silhouette shots of these two working, as you can see.
Annette looked simply stunning; reminded me of Mad Men a lot in these shots.
While the camera's weren't rolling.
The boys at work again. You can see the framing on Stuart's LCD.
Perhaps a touch too much headroom but I love the feel of this shot with the light behind her.

Linda Harrison in make-up before shooting her performance
I don't know what was in that cocktail.

They were shooting fast and light, with two Canon DSLRs running at once.
Stuart finding focus
The moment Annette's character picks out her man for the evening

Linda and the band setting up for their performance

This was a lucky, I mean nice catch, with the two red beams picking Linda out.
Linda really threw herself into her performance, every time, many times.

I love the balance to this image, as well as the moment it caught.
Perhaps bizarrely, this is definitely my favourite photo of the performance, really captures her energy
Final shot of the day, Tristan checking the last take before calling a wrap.