Categories
Photographic Pictorial

YoLandi Visser (two of them!) in the house

A couple of days ago I posted a gallery of my wife dressed up as YoLandi Visser from South African rap outfit Die Antwoord. If you don’t know them check out their videos on YouTube, starting with I Fink U Freeky, then go and buy their albums on iTunes. Heads up if you’re at work or near kids right now – they’re pretty direct. And kind of sweary.

(that’s a lot of links to swallow in the first paragraph so I’ll give you a second to check them out…

… before we continue)

Well that first shoot was a practice run for this Thursday, 5th of July, when she’s off to see them in London with her best friend, Carike, who is from South Africa herself and has been translating the lyrics when they lurch violently into Afrikaans. They’re both going to be dressing up as YoLandi and have been putting their costumes together for weeks, culminating last week with a delivery of brightly coloured plastic watches just like the ones YoLandi has on in the new video, so we got together at the garages behind our flat and had a joint photoshoot.

I really like some of the shots Hollie and I got first time but we both agreed that given who she’s playing the light was a bit too soft and warm in general; one of her favourites is harshly and simply lit.

This time I ran the flashes bare, no umbrella or softbox or even a gel, and we used more daylight. The location helped a lot too, and the YoLandis sparked off each other pretty good for the camera. I still feel like I ended up making the photos inside the garage look a bit too ‘lit’; overall I prefer the ones towards the end of the shoot when we were completely outside, but have a look and decide for yourself.

By the way, if you still haven’t checked out Die Antwoord, fair warning that pretending to be YoLandi Visser means makin’ out like a bad ass mofo, yo, just so long as you know it’s all fo’ show… 😉

my wife as yolandi visser

This silhouette shot was initially a total fluke as the flash lighting the foreground didn’t fire. Loved the effect and got a couple more. The flash was at the bottom of frame so I Photoshopped it out quickly. Obviously that’s purest South African moonshine in the bottle and not water.

my wife as yolandi visser

my wife as yolandi visser

Gold shoes, gold rings, gold medallions, gold leggings, blonde wigs, custom t-shirts, slap-strap watches… they look totally ZEF.

my wife as yolandi visser

my wife as yolandi visser

my wife as yolandi visser

my wife as yolandi visser

my wife as yolandi visser

I love all these ones at the garage doors. Just one flash here, high camera left, behind and above me, filling in a slightly underexposed ambient, on a Daylight white balance. I really love the mood of these shots.

my wife as yolandi visser

This is one of my favourites of the whole shoot.

my wife as yolandi visser

my wife as yolandi visser

my wife as yolandi visser

We took a break to have biscuits and coffee sat on the floor of the garage, and go through some pictures. I had Die Antwoord playing on my iPad while we were shooting so the YoLandis got some more practice in.

my wife as yolandi visser

my wife as yolandi visser

my wife as yolandi visser

After elevenses we moved to the end of the garages. I had the lights set up roughly where I wanted them and ran back to our garage to grab my bag. Grabbed this one quickly, on the move, to see if the triggers were up and running; it gives you an idea of how the next bunch were done.

Hollie used to be a cheerleader; still got the moves!

This last one wasn’t planned, but a neighbour pulled up on his bike as we were finishing so we grabbed one posing with it – it’s extra cool because we noticed that it says NINJA on the bike – perfect!

Hope you enjoyed the photos as much as we enjoyed making them. Thanks for reading!

Categories
Photographic Pictorial

Hollie as Yolandi Visser

My wife and I are big fans of Die Antwoord, a rap double act from South Africa. They’re coming to the UK next month and Hollie and her friend, Carike, have not only got tickets, they’re planning to go in costume as Yolandi Vi$$er herself and I thought that would make for a brilliant photo opportunity or two.

Last weekend Hollie and I did a practice run in the hallway of our apartment building, and while I’m not sure I’ll necessarily duplicate all these lighting setups for the ‘real thing’, we definitely got some great shots. I shot RAW and in CaptureNX 2 I did some exposure and white balance tweaks to give them a colder look than the glossy warm and golden look they were shot with, which in retrospect I didn’t feel was suitable for the subject matter as Yolandi generally presents herself as a ‘real’ person dripping with attitude, as opposed to a glossy, slick production.

I think the best Die Antwoord pictures are often taken in natural light so for the next session we’re going to head out to the garages behind our building and do something there with maybe the occasional flash shot thrown in for variety, but focussing instead on letting Hollie and Carike bounce off each other without having to worry about staying in the light. They bounce off each other a lot, you see…

In the meantime here’s my favourite shots from the shoot.

 

Categories
iOS & Mac reviews

Pocket Planes for iOS: a review

What’s this, a game review on my glass eye? Well, I’ve been in a gaming mood lately so I haven’t been ‘making’ much and thought writing a quick review would keep my hand in on the writing front. Also, a fleeting review of this game at Wired has been getting a lot of criticism today but I found it touched on some salient points about the game that I wanted to talk about myself.

Pocket Planes (App Store link, free) comes from Nimblebit, whose last game, Tiny Towers, was set in a charming 8-bit style world and involved populating a skyscraper with shops and ‘bitizens’ to run them, then keeping them stocked and supplied with visitors. As appealing as the presentation was the gameplay boiled down to the busy-work of restocking shelves and delivering bitizens to their desired floor in order to grind coins and bux to buy more stock and increasingly expensive floors. There was barely any strategy or simulation and my interest waned quickly.

Pocket Planes has a lot more to it, although at first glance you might not notice as you’re still ferrying goods and bitizens to their destination, but this time aboard your very own airline.

Starting in your choice of territory you receive a small fleet of 1- and 2-seater planes and a handful of airports to despatch them to where they can pick up passengers, cargo, or both depending on the plane type. Each job’s fare is proportionate to how far away it is and larger airports have more jobs on offer; the list refreshes every few minutes, as does the marketplace where you can buy new planes either in whole or in part. The planes start small and get huge, with their own range, weight, speed and capacity stats, custom paint options and quirky nicknames inspired by their real-life counterparts.

Once you have your customised fleet up in the air and the cash starts to slowly roll in you’ll want to start expanding. There are two forms of currency to spend on expansion; coins, earned from the majority of flights; and bux, earned from occasional special deliveries and levelling up.

Coins are readily come by assuming your airline is running with even the slightest efficiency and will buy new cities to fly to, extra slots for new planes, airport size upgrades or airport advertising (a rush of jobs at that airport for 8 hours).

Bux are by far the rarer currency and are spent on new planes or the parts to build your own; hurrying a plane to it’s destination; upgrading a plane’s range, speed or weight; or giving your pilots fun costumes (fly with me and you better hope Elvis took flying lessons).

Finally, fill the Level meter by completing jobs and you get a handful of bux, an increase on the number of airports you can own, and better planes in the marketplace.

Online play is served by Global Events, Flight Crews, and the swapping of spare parts you don’t need (at the cost of one bux). Form or join a crew by entering it’s name on the Flight Crew screen and all jobs you do that are connected to a Global Event go towards a Crew score. The Crew with the highest score at the end of the Global Event period (usually several realtime days each) shares bux and coin rewards amongst them. The events, including the special Global Event that Crews take part in, can take place anywhere in the game world and can offer small bonuses or shut your airports down for period of time. If you haven’t got an airport in that part of the world, you can’t take part or be affected.

Where you go from here is completely down to you but what you’re supposed to do is buy better planes, make more money, and expand your airline across the globe, which brings me to the criticism Wired had, that there’s not much else beyond the ‘despatch planes, earn cash, upgrade, repeat’ cycle. This is not entirely true; in fact, Pocket Planes successfully hides a fair bit of depth and strategy away in the gameplay, but you have to find it for yourself.

For example: if you choose jobs so that everyone on board is going to the same place you get a 25% bonus on the fare; if you’re not careful with the jobs or flight plan the fuel can cost more than you’re earning, running the business into a money pit early on; with multiple destinations on board you can make the effort to stop at each leg and refill the empty seats, or do the whole thing as one journey which requires less attention at the expense of profits; you could run an inefficient but still-profitable airline flying stuff wherever it needs to go as you find it, or you could be more organised and allocate some 2-seaters to ferry longhaul passengers to a hub city to be picked up by dedicated jumbo jets, while the rest of your fleet make quick cash doing the shorthaul stuff.

Efficient flightpath planning is definitely where the depth lies in Pocket Planes. Your opening strategy will always be to pick up the most valuable cargo at every airport, drop it all off and get some more. However, as your web of destinations widens and the long-distance fares go up, so does fuel cost and the need to strategically balance longhaul with intermediate dropoffs to keep profits up, then evolving that strategy further as you thread your way across the globe.

(This game and Plague Inc. have improved my knowledge of global geography an embarrassing amount.)

But while it’s undoubtedly satisfying to have planned and executed such a strategy, without deeper flightpath management options like you find in such desktop management sims as Railroad Tycoon it can get tricky to keep track of just what you’ve tasked each plane with. This organisational effort is perhaps why a more casual player may never even consider evolving from their initial strategy, dooming themselves to low margins and slow expansion.

However you play it, your interaction with the game for 90% of the time consists of picking jobs and sending the planes up; there are no other gameplay distractions or money-spinners. For example, you can’t invest in businesses at the airports to earn money outside the jobs system, compete with other airlines in-game, research particular technologies to suit your style of play, or task your planes with anything more out of the ordinary than the global ‘Flight Crew’ jobs. And once you start to need 30+ bux per new plane or 50,000 coins for a decent airport the amount of work you need to do to earn it can start to feel more like joyless grinding unless you buy some bux with real money.

But this is critiquing on a high level; I didn’t expect a deep management simulation, especially after Tiny Tower, so to find any sort of emergent depth to the gameplay is an unexpected treat. Three days in and I’m still embarrassingly addicted to ferrying my bitizens around the world while I work towards my next planned expansion. In fact, I’ve enjoyed it so much that I think just on principle it’s worth the £2.99 they’re asking for a healthy 200 bux.

If you’ve skipped to the end, there’s plenty to enjoy in Pocket Planes for anyone that likes casual management and simulation games, but it will probably hold your attention longer if you invest some thought into an efficient strategy for your airline’s expansion. Otherwise, the basic grind might lose you after a few days.

Categories
Photographic Pictorial

behind the scenes of a music promo shoot for Linda Harrison

On Wednesday my friend Tristan Versluis was shooting some pick-ups for a promo he’s directed for Linda Harrison. The video was pretty much complete but they needed a few extra shots and I went along just to tag along and take some photographs for myself and anyone who wanted any; keeps me off the streets, or more accurately off the XBOX.

The shoot was in the upstairs room at The Old Queen’s Head, near Angel tube, which has these fantastic ceiling light fixtures made from what looks like old gramophone horns. There’s an old, lived-in atmosphere to the place, leather covered booths, golden-framed mirrors, peeling paint and a wooden floor, although very little of that was going to be seen as it happens.

Tristan just needed a few shots of a man approaching a woman in a dark, crowded bar while a band plays on the stage (which, obviously, was Linda herself – I don’t think I can tell you the name of the track yet though). It only took a couple of hours and didn’t give away any of the story but I’ve seen shots from the rest of the shoot and it’s a typical Versluis production; strikingly lit and shot by Stuart White and a deliciously twisted story focussed on a seductive woman (played by Annette Kellow) and how she selects partners to take home, set to a terrific track by Linda Harrison that I still can’t tell you about, sorry. It’s going to be great.

So, here’s my pick of the hundred-odd shots I kept from the afternoon, with captions here and there so you know what’s going on. Enjoy, and thanks for visiting.

Make-up, actors, Tristan chatting, Stuart setting up lights...
Tristan shows actor Peter Caxado frames from the rest of the promo
This makes me laugh every time. Timing is everything 😉
Justyna Dobrowolska doing Annette Kellow's makeup as Tristan talks through the shots he needs
The daylight on Annette's face was so strong the rest of the room is plunged into darkness
I really love this shot of Annette in makeup - that's the D700's own B&W; it's pretty good, and I'm lazy.
Last minute hair touch-ups. One of the cameras in the background there.
There were lots of moments like this, Tristan and Stuart deep in discussion of lighting and framing.
I liked making silhouette shots of these two working, as you can see.
Annette looked simply stunning; reminded me of Mad Men a lot in these shots.
While the camera's weren't rolling.
The boys at work again. You can see the framing on Stuart's LCD.
Perhaps a touch too much headroom but I love the feel of this shot with the light behind her.

Linda Harrison in make-up before shooting her performance
I don't know what was in that cocktail.

They were shooting fast and light, with two Canon DSLRs running at once.
Stuart finding focus
The moment Annette's character picks out her man for the evening

Linda and the band setting up for their performance

This was a lucky, I mean nice catch, with the two red beams picking Linda out.
Linda really threw herself into her performance, every time, many times.

I love the balance to this image, as well as the moment it caught.
Perhaps bizarrely, this is definitely my favourite photo of the performance, really captures her energy
Final shot of the day, Tristan checking the last take before calling a wrap.
Categories
Photographic Pictorial

Something For The Weekend: behind the scenes

SFTW Something For The WeekendOne of the shows I used to work on regularly as a cameraman was Something For The Weekend, a Sunday morning magazine-style chat and cookery show for BBC2. I’d always enjoyed watching the show before I started working on it and it’s been one of my favourite jobs despite the 5:30am start, which probably seems like a lie-in for the folk who work on breakfast telly.

There’s a really friendly atmosphere on the studio floor between presenters, crew and production, and I’ve known chef Simon Rimmer for years since Great Food Live for UKTV Food, so it was definitely one of those jobs that hardly felt like ‘work’. Another bonus is the fact that it’s live, which always makes things a lot more fun.

I got to shoot publicity stills for the show in recent years (a selection are in my portfolio) and on those days grabbed some behind the scenes shots too, just for myself really. Those are the first few shots below.

Then I got into using apps like Hipstamatic and Instagram on my phone and started using that during the rehearsals to catch arty shots; there’s 7 or 8 minutes of hanging around between recipe rehearsal set-ups so I’d snap photos for fun. As we got closer to the last episode I started taking more and posting some to Twitter for the fans; I find behind-the-scenes photography fascinating, and on a show like SFTW there’s always something going on somewhere.

The atmosphere of the whole show is quite different to most other things I work on – we’re all tired but we have to be alert so the art of preparing and serving the perfect coffee from the shiny espresso machine in reception is prized amongst runners and crew alike; as we rehearse, the light through those huge windows transforms in just an hour or so from broody darkness to the piercingly bright golden glow of sunrise. It’s just a great space to take photos in.

So to commemorate the final show, and also just because these have been collecting in my hard drive for the last four years and they wanted to be seen, here’s a hundred or so of my favourite snaps from behind the scenes of Something For The Weekend, presented in roughly chronological-ish order, culminating in a set from the last show on March 18th, 2012 (you can click here to skip straight to that bit).

I should add that none of these are ‘official’ snaps; I simply love documenting what goes on behind the scenes in my job and I thought fans of the show might appreciate these particular pics now it’s finished.

Thanks for visiting, and if you watched the show, thank you for watching!

SFTW Something For The Weekend
The famous recipe chalk-boards
SFTW Something For The Weekend
Round the table for the end of the show
SFTW Something For The Weekend
That time Cerys Matthews fumbled the egg-crack

SFTW Something For The Weekend
Wayne Eagles doing his thing
SFTW Something For The Weekend
Flicking through the morning papers

SFTW Something For The Weekend
John, the camera supervisor
SFTW Something For The Weekend
Simon and Aled watching an interview
SFTW Something For The Weekend
Amanda and Tim react to Deja View
SFTW Something For The Weekend
Aled, Cerys & Tim watching a recipe from the sofa
SFTW Something For The Weekend
Tim & Simon having fun with food
SFTW Something For The Weekend
Fun with a foreground monitor
SFTW Something For The Weekend
Yas and Simon go through a recipe
SFTW Something For The Weekend
Cookery rehearsal
SFTW Something For The Weekend
Lining up a menu shot
SFTW Something For The Weekend
Simon's army cookery competition award
SFTW Something For The Weekend
The round table, from above
SFTW Something For The Weekend
An arty detail shot
SFTW Something For The Weekend
Christmas decorations lurking around the set
SFTW Something For The Weekend
Setting up the mics for the show
SFTW Something For The Weekend
Rehearsing cocktails with Wayne
SFTW Something For The Weekend
The view from the hothead camera controller
SFTW Something For The Weekend
The days before we all had tablet computers...
SFTW Something For The Weekend
Meet your friendly Twitter 'operators'
SFTW Something For The Weekend
All the cutlery lined up and ready to go
SFTW Something For The Weekend
Vision mixer and director in rehearsals
SFTW Something For The Weekend
John, prepping his food photos for the website
SFTW Something For The Weekend
The chalk-board being prepared
SFTW Something For The Weekend
Oli and Chris, the Sound department
SFTW Something For The Weekend
Yasmin, one of many regular home economists
SFTW Something For The Weekend
Tim and Lou read through menu voiceovers
SFTW Something For The Weekend
Engineering crew testing a gadget
SFTW Something For The Weekend
The early morning light can be beautiful
SFTW Something For The Weekend
Lucy and a big shiny horn
SFTW Something For The Weekend
Valentine's Day 'gadget' item
SFTW Something For The Weekend
More Valentine's Day 'gadget' items
SFTW Something For The Weekend
Gadget Roulette!
SFTW Something For The Weekend
Wayne and Simon watching a VT
SFTW Something For The Weekend
Janet and Claire, fantastic home economists
SFTW Something For The Weekend
Kieran, vision mixer, caught by surprise
SFTW Something For The Weekend
VT: dauntingly technical
SFTW Something For The Weekend
Lou, Simon and his son hang out on the sofa
SFTW Something For The Weekend
Rehearsing the show opening
SFTW Something For The Weekend
A big chopper
SFTW Something For The Weekend
Seconds before we're on air
SFTW Something For The Weekend
Lucy Hedges, ready for gadget time
SFTW Something For The Weekend
Cocktails with Wayne
SFTW Something For The Weekend
Backstage crew enjoying the show
SFTW Something For The Weekend
Home ecs, Yas and Janet, setting up the next recipe
SFTW Something For The Weekend
Ben, Assistant Floor Manager, sampling some food

SFTW Something For The Weekend

The last ever show

The last show wasn’t a great deal different to make than any other show, except there were a lot more studio guests watching behind the scenes including former producers, executives and friends of the show. There were a lot of cameras and smartphones out snapping pictures throughout the day, and I came away with around a hundred photos via Instagram; here’s some of my favourites:

SFTW Something For The Weekend
Final SFTW call sheet
SFTW Something For The Weekend
Episode 257: The Last Ever
SFTW Something For The Weekend
Pre-rehearsal meeting, 7am
SFTW Something For The Weekend
Claire Bassano prepping the kitchen
SFTW Something For The Weekend
Passing time between cookery rehearsals
SFTW Something For The Weekend
Gary and Geli: camera assistant team
SFTW Something For The Weekend
Simon and Tim chatting between rehearsals
SFTW Something For The Weekend
Rigging a gadget pre-record outside
SFTW Something For The Weekend
Nick on boom, Paul on camera
SFTW Something For The Weekend
Pre-recording a gadget VT outside
SFTW Something For The Weekend
Photographing food for the website
SFTW Something For The Weekend
Yes, we do try Simon's rehearsal food!
SFTW Something For The Weekend
Claire and Sarah, home economists
SFTW Something For The Weekend
Johnny, the series editor
SFTW Something For The Weekend
Just some of the wonderful backstage team
SFTW Something For The Weekend
Engineering & Lighting: The Lords of Darkness
SFTW Something For The Weekend
Mark prepping graphics
SFTW Something For The Weekend
Natalie, assistant floor manager
SFTW Something For The Weekend
Oli, today's sound supervisor
SFTW Something For The Weekend
Simon and Seb check out the papers
SFTW Something For The Weekend
The last ever fridge photos go up
SFTW Something For The Weekend
Everyone was snapping away in rehearsals
SFTW Something For The Weekend
Liz and Jo doing Tim and Faye's makeup
SFTW Something For The Weekend
Simon checking his phone before air
SFTW Something For The Weekend
Relaxing in the last 15 minutes before transmission
SFTW Something For The Weekend
10 seconds to go...
SFTW Something For The Weekend
We're on air with the last ever show!
SFTW Something For The Weekend
Hair tweaks for Faye Ripley
SFTW Something For The Weekend
Nick on 1 and Seb the Floor Manager
SFTW Something For The Weekend
Can't resist arty wineglass shots!
SFTW Something For The Weekend
Tim, Lou, Will Young and "Morris Dancing"...
SFTW Something For The Weekend
Simon and Faye relax before their cook
SFTW Something For The Weekend
Wayne's final cocktails item
SFTW Something For The Weekend
Simon gets a taste
SFTW Something For The Weekend
Wayne & Simon: Top Men
SFTW Something For The Weekend
(l-r) Autocue, series editor, PA, director, vision mixer
SFTW Something For The Weekend
Lucy getting last minute makeup touch-ups
SFTW Something For The Weekend
One of the special guests
SFTW Something For The Weekend
"COME ON, ZIGGY!"
SFTW Something For The Weekend
Catching tennis balls. No idea what Will's doing.
SFTW Something For The Weekend
These mugs vanished after the show...
SFTW Something For The Weekend
Will, Lou and Simon, pre-cook
SFTW Something For The Weekend
That's it! We're off air
SFTW Something For The Weekend
John, Paul, Nick and Richard: camera team (excluding me!)
SFTW Something For The Weekend
And here's me 🙂
SFTW Something For The Weekend
Taking down the set

And with that, Something For The Weekend came to the end of it’s 5+ year run! We had a lot of fun making it, and I hope you enjoyed watching it and flicking through these snaps.

Thanks for reading.