Categories
Editorial Other

it’s tinker time

I like to mess about with my websites – gives me something to do during the holidays/days off other than watching TV, drinking beer at 11am or arguing with idiots on Eurogamer. 🙂

This week I’ve latched onto a lovely new theme called ‘The World in 35mm‘ for Pixelpost. It’s working nice over at The Daily Exposure and it basically solves my long-standing problem with comments and photograph info in that it elegantly hides and displays both below the photo, on the same page, with no fancy stuff that people using browsers like IE will struggle with.

My current info/comment solution was a hand-tweaked version of Lightbox, which is pretty cool but apparently doesn’t play so nice with said stupid browsers. I think this will work a lot better.

As I haven’t really got any idea how to run a test-version of my site privately while I tweak, I’m going to have to start faffing around with the live version so if you visit over the next few hours and days you’ll probably notice it looking a bit odd. Feel free to laugh at my appalling coding skillz as I tweak and tweak again!

Cheers, folks.

UPDATE: I’ve had a good look at how the template is written and the work that would be involved trying to make my current look fit into the way 35mm does things, and it’s far too much effort.

So, new approach: I’m going to try and rip out the info/comment code and implant it into my baby…

UPDATE 2: Holy crap this is far too much effort all round. I’m going back to my original plan – make 35mm look like my glass eye…

UPDATE 3: And it’s done! I need to tweak the About page as it’s not ideal (how the heck do you do columns properly without forcing their position?) and the News page needs to be tweaked to match the top menu properly, and I need to do the Dark CSS sheet so that the Styleswitcher works, but to all intents and purposes, BOO-YA. That was a whole morning of fun 😉

Categories
Editorial Other

…and we’re back!

Further to yesterday’s unpleasant discovery that something in my back end was b0rked, I went ahead and upgraded all the Pixelpost files to the latest version and that appears to have fixed it. Who knows what I did…

I hope your Christmas week is going nicely. I’m off to do some food shopping and to think about how to rejuvenate my blog sans comments and try to make it fun for me again…

See you round!

Categories
Editorial Other

we’ll be back shortly…

Screen shot 2009-12-21 at 13.33.21.png Apparently this image to the left is all anyone’s seen of my blog for almost a week now, but seeing as I haven’t updated it in almost a month, I had no idea. I was tinkering with it last week and took it all offline deliberately for a couple of days, but I thought I’d fixed that. Evidently not!

Well now I know what I’ll be doing all day today… 🙁

Categories
Editorial Other

meltdown: refocussing

I’ve had a bit of a meltdown in the last few weeks and it’s had the result of forcing me to rethink what these blogs mean to me, what photography has come to mean to me, what I mean to myself, what other aspects of my life mean to me, and what’s most important.

Basically, photography used to be a hobby. It was this way for about a year, pretty much, from the day I bought my first DSLR (a Nikon D70) in 2005. I’d always liked trying to take arty photos as a kid and teenager but never really work with a crappy point and shoot! When I got my hands on that D70, wowee… Why the hell had it taken me so long?

A couple of weeks after I got it, I started a photoblog at blogspot – I called it i-shot and it was great for posting the results of my shooting and self-taught Photoshop processing. I was inspired by the photoblogs of John Waller and Dave Nightingale. I produced images I enjoyed, got a few comments (but never enough to make me feel like I was doing something right – more on that later), and learnt a heck of a lot.

A few months after that I got involved on a short film that a friend of mine was working on. I fancied taking photos on a film because it would mean actors and lighting and cool candid photography, and they could do with the stills for promotional purposes. The DP on the film liked my stuff and took me onto his next short. And his next one. On that latter short, the directors liked my work so much they took me onto their next short, and so on. If you skip forward 2 years, I’m now at the start of a career as a movie stills photographer, getting paid to shoot some pretty big names (Pussy Galore, dude!!!) on their latest film.

I’m also getting paid work shooting portraits, promotional stills for TV shows, product photography, all sorts of little bits here and there, all while juggling it with a satisfying career in TV camera operation which you could say is my bread and butter to fund expanding my photography client base.

Really, this is a pretty good situation!

The problem is I’ve been obsessing over the back end of the photography business, if you like. See, we live in an incredibly digital age. The geeks are going to take over the world, man, if they haven’t already. I consider myself amongst a geek. I embrace technology, but this web presence stuff has gone overboard a bit! I have at least two blogs (this and my glass eye), maintain three different websites that host my photography (my glass eye, my portfolio site and my Flickr account), follow an ever growing number of photoblogs and photography news sites via RSS feeds, post updates on Twitter and follow photographers there as well, enter photo ‘competitions’ online at Photofriday and VFXY and so on…

This all takes time.

I have a life, though. At least, I try to! And I’m struggling to enjoy all of this shit. I go out for a walk and take a camera… why? I won’t have time to blog the shots and the vast majority of them will go on my hard drive and never get seen again. I meant to make books for me and my girlfriend of our year in photos in 2007. Didn’t happen. And in 2008, didn’t happen then, either. I don’t print them, I don’t have the time or energy to blog them… So why do I take them?

Well, I like to keep my hand in for one thing. I went out and learnt a lot about my Softbox III by using it on the street one afternoon. I also just like taking pictures full stop – even if only one really stands out at the end. But I also put pressure on myself to do it because I’ve bought too far into this idea that I’m supposed to do it.

I read Chase Jarvis occasionally. Chase lives and breathes photography because he loves it so much. He’s good at it, it’s his only career, he has a lot of time to devote to it. He really is the epitome of consuming the career, becoming it in every way – it’s inspirational but I think I feel I struggle to match that level of commitment and in some way I’m a lesser photographer because of it.

Yeah, it’s a bit neurotic, I know.

Incidentally, Chase also stands out alongside an increasing number of similar-minded photographers, because he wants to share his experience and knowledge.

Also feeling this whole ‘share the love’ vibe (amongst no doubt hundreds of other photographers, myself included) are people like David Hobby of Strobist and Joe McNally. I’ve learnt buckets from both these guys, just by reading their blogs and taking the knowledge out on the street or on location or just in my back garden. Learnt to stop fearing light purely through the exemplary work of Mr Hobby.

But it’s that personal, fun explorative side of the hobby that’s not fun for me right now. I started ‘my glass eye’ to post one photo a day, little insights into my world and the way I saw things. Well that doesn’t happen any more. The exciting thought of firing up Photoshop to have a fun little tinker with some personal shots and share them with y’all always feels like a great creative goal for the afternoon when I get up in the morning to go to work, but when I get home it feels like a chore.

I spend so much of my time at my computer now, either doing my paid work or avoiding doing crappy stuff like tax returns, or making a new shot for my blog (or avoiding doing so), or reading all my RSS feeds, or reading up on another new shooting/processing technique, or writing an entry for this blog, or just chilling the fuck out playing a game, that I think my backside has probably moulded itself to the shape of my Herman Miller ‘Mirra’ chair (if you have the means, I highly recommend picking one up – it is so choice).

This also means my poor girlfriend gets quite a shock if she ever sees any more of my head than just the left hand side of it, or can’t hear the clatter of the keyboard, the click of the mouse or the tap of pen on tablet. I feel guilty if I’m not on the computer doing something ‘creative’ or catching up on my work.

I also have a bit of a neurosis that requires pretty constant feedback. If I’m not checking my Mint stats (again) I’m looking to see if I’ve got any comments on any of the forums I frequent. I also have these really high expectations of myself which means that much as I love the stuff Jarvis, Nightingale, Hobby etc are putting out, I’m also constantly trying to work out how to get the quality of gigs and traffic that they are, as if either of those things really mean anything. I’m getting the jobs that I enjoy (movies – and boy do I enjoy shooting them! Dream job! Such a fucking cool thing to shoot!) and I’m working on getting more, so why am I not happy?

Well, because I’m not riding an indefinite wave of popularity in the blogosphere, or because I’m not getting invited out to some mountain range to shoot cool lifestyle stuff. Don’t get me wrong, I know the guys that are at that level deserve their success, it’s just that I’ve tried everything they’ve suggested to get the hits, get the notice, get the gigs, and it’s just grinding along at exactly the same pace it always has. I get a hundred or so hits a day, and occasionally someone calls me for a job after I got recommended by someone else.

Ah-ha! Now I should be really pleased about that. I bet you’re thinking, “Bloody hell, someone recommended you? That’s great! That’s how it works! What are you moaning about?”

It’s because I’ve starting caring about the wrong things.

I’ve got to stop beating myself up to post an image a day. I’ve got to stop caring if people like them when I do. I’ve got to realise that just because nobody bothers to comment, that doesn’t mean I’m a failure. Stop worrying about traffic and comments.

In fact, all the type of work I’ve been doing has come from good word of mouth. As a marketing tool I have no idea how much my web presence makes a difference. I don’t think they’re even finding me from Google. I get a load of Google hits from people searching my name or a particular sort of image, but I can honestly say I don’t think a single one of those hits has led to someone calling me up and offering me work. People come here to check out some photos, maybe they like it, maybe not, then they generally leave, or they come back some more.

Some of the regulars do actually comment occasionally, and have been coming since it was called ‘i-shot’, and that’s really cool. But while I’m fretting about the correlation between hits and work received, I should be focussing far more on direct networking and continuing to give the clients I do have my best possible service.

So. Having left this blog alone for the last month or so, I think it’s fair to say that I feel no great pressure to update it that often. I’m also going to try and chill my brain out about updating my photoblog so often, too. After all, 52 great photos are more satisfying than 365 so-so ones. Visitors do not equate to job offers or money, so I have to learn to stop checking Mint. I think if I want to give myself something achievable to do with photography I’ll set up a Tumblr blog and post one iPhone photo a day on that for something to do.

I basically have to stop caring about who likes me and my work, and just start enjoying what I want to do with my life. If that means I blog less, fine. If I take a camera out less, I’m no less a photographer – I just want some time to enjoy a life that goes beyond that lovely black box with glass on the front.

Categories
Editorial Other Photographic

go the extra mile

Thought I’d give a motivational sermon today.

I did a ‘half day’ job for a client recently, portraits to publicise a documentary they’d made for the BBC. They’d asked my rates, I told them, they decided it was a half-day job, I booked it in. It subsequently changed date numerous times. So many, in fact, that I honestly can’t remember how many emails and calls I took where I was asked for the umpteenth time what my availability on this day or that week was as the people we were going to photograph weren’t available, or the producer of the project wasn’t available. Didn’t really matter – I just kept answering the question and re-booking the job in whenever they needed to change the date.

Eventually the day arrived and I had a lovely 2 hour drive to the location with the producer, and we got on famously. Did the job and had a lovely time and was cheerful and practical and helpful throughout, as much for my own benefit for anything else. Nobody wants their portraits shot by a moody negative arse, right? And there’s nothing worse than shooting portraits of someone who doesn’t like you and doesn’t want to be shot.

I’d booked and quoted for a half day rate, and by the time we got back to London it was a good couple of hours over, at least. Didn’t ever mention this on the day, it wasn’t important.

Downloaded my cards, did a rough photo-kill on the duffers, had a few beers, went to bed. Next day I went to work at my ‘other’ job (*cough* The Wright Stuff *cough*) and while there got a call from the client asking how soon they could get the images or at least some of them, as their client (the Beeb’s picture publicity department) needed some ASAP to start publicising the project.

Got home after the show, about noon-ish, and started working on them, did a final approval on the keepers, had to swap a couple of heads in from other shots to hide the dreaded blinkers in a couple of group shots (you know, it’s a great group portrait, but someone had to blink at that precise 1/100th of a second!) and threw together a gallery to upload to a private client area. Hint: buy Photo Mechanic and use the built-in Export feature to export in any one of a range of Flash or HTML galleries. I use Simpleviewer, and I tweak the HTML it produces to fit my website style. A couple of clicks and a miniscule bit of copy/paste in Coda and it’s ready to go.

Emailed gallery link to client. Client bloody well loved them (yay) and sent me the numbers of the ones they need ASAP to send to Auntie Beeb, and can I get them to them on a disc by the end of the week for them to send off? I offer to upload a ZIP archive of the selected photos to my site for them to download and send directly to the Beeb that very day. Oh no, they say, don’t go to any effort, so long as I can get a disc to them by the end of the week that should be okay.

Hah! I dig out the high res copies of those photos, around 70MB worth (and therefore not really email-able), compress them to an archive, upload the archive to my site (took 15 minutes to upload), send them the download link. 20 minutes later I get an email.

“What’s your day rate? We love the photos and are happy to pay your full rate for the day.”

Always go the extra mile! 🙂