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Editorial Photographic

neil marshall’s ‘centurion’ is out now!

Over the last year or two I’ve become quite good friends with Axelle Carolyn through some short films we’ve worked on together, and a couple of modelling sessions she did for me. Axelle is married to Neil Marshall, director of Dog Soldiers, The Descent, and Doomsday, and this month his latest, Centurion, was released. I was lucky enough to be invited onto the set for a day last year where I witnessed numerous unpleasant sword-based deaths being administered by Mr Sam Worthington, and the film is definitely on my ‘Must See In The Cinema’ list.

Anyway, it’s a good excuse to re-post this cracking portrait of Neil that I took last year in the Coronet Cinema in Notting Hill, London. I was actually there to photograph Axelle but Neil fancied a couple of shots too. It’s lit with one SB-800 flash to camera right, with a Lumiquest Softbox III on it. Ideally I’d have liked another flash camera left to give a bit of rim-light kick but we had so very little time in the location.

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Photographic Pictorial

b&w details in 50mm

In the process of putting this blog back together using a new WordPress template I wanted to post some more image-heavy stuff to try out the new look, so what better excuse to pop on my shamefully underused 50mm f/1.8 Nikon lens and have a wander around my place of work. Much easier than trekking out somewhere exotic in London in the middle of the coldest winter in 30 years!

All these shots were made using the D700’s B&W mode, something I wouldn’t touch with a bargepole on other cameras but which works quite well on the D700 due to the options available for tweaking the tonality and the contrast. I personally prefer my B&W shots a little bit punchier than I was able to muster using those options so some of these have had their shadow and highlight levels tweaked in CS4, but otherwise as shot.

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Editorial Photographic

some TV exposure for Not Alone

You may recall I worked on a feature for my mate Tristan Versluis a while back, a horror called Not Alone starring Lucy Benjamin. I wrote a wee bit about it here.

Lucy was just on I’m a Celebrity… Get Me Out of Here! in the UK and is doing the publicity circuit now. Tomorrow (Thursday 10th December) she’ll be on The Wright Stuff on five from 9:15am, which I happen to be operating camera on.

Had a quick chat with the producer and it turns out knew about the film and hadn’t got any stills yet, so I was able to hand over a disc of lovely high res pics directly.

The movie isn’t by any means the only thing Lucy will be talking about but it’ll be nice to see Tristan’s baby start to get out into the public. Check it out if you’ve got a moment, 9:15am tomorrow on five.

Cheers for reading!

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Photographic

a pretty cool milestone

1DA_0501.JPGA few weeks back I mentioned that the website for 1 Day had gone live, a movie I did some stills for in 2008. It opens next week and today I arrived at work to discover a bunch of my photos from it on page 3 of The Independent. It turns out the film, which is set in Birmingham and centres on street gang warfare punctuated by rap musical numbers, is being turned down by certain chain cinemas in the city after a West Midlands police officer informally suggested to the manager of the Birmingham Odeon that he shouldn’t show it. The manager then spoke to other cinemas who also agreed not to show it, although there are several others that will.

Anyway, despite the negative connotations of the story itself, it was pretty cool to see several of my shots in print in such a high profile article. On the way home I picked up the latest Empire and found they’d reviewed the film and in so doing had given me my first ever publicity still in print within their covers, which I’m pretty stoked about. I’ve had shots in plenty of listings pages and some industry magazines, which is very satisfying, but Empire is something else so I’m just riding on that little cloud at the moment!

Cheers!

1DA_0432.JPG 1DA_1444.JPG

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Editorial Photographic Pictorial

on the set: last days

ZOM_0010.JPGIt’s that time of year again, when the horror fans gleefully attempt to out-gore each other with impunity and all the theme bars stock up on fake cobwebs and witches hats, and homes across the world welcome back the smell of slowly-rotting, slightly scorched ghoulishly carved pumpkins : it’s (nearly) Hallowe’en!

My mate Ryan Haysom (left, painting a severed hand with home-made blood) loves his gore, and last week signed up for a competition to produce a 3 minute zombie film in 48 hours over the weekend. Unfortunately rain stopped play on Saturday so he bumped everything to Sunday. Given that an edited film had to be in by Monday morning it was going to be impossible to shoot and edit and submit in less than 24 hours but hey, when you’ve got over a dozen zombies turning up and a couple of really nice locations already sorted (and ONE MILLION POUNDS in insurance cover arranged at the insistence of one location owner), you don’t just give up, so off I went on Sunday to document a very fast, dirty and fun shoot in Highgate.

The film is currently called Last Days and follows 3 survivors of a zombie outbreak as they struggle to stay alive – Mark Vincent (who was introduced to me as the title role of Ryan’s first short, the disturbing and impressive LV16), Scarlett Marshall and Sean Turner (who also appeared in Ryan’s second and third shorts, Feral and Fragments, both of which I shot stills for). As the film starts they’ve been chased to a tunnel on a footpath through the woods near Highgate station, and are pursued to an abandoned school where the film reaches its conclusion.