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Editorial Other Photographic

go the extra mile

Thought I’d give a motivational sermon today.

I did a ‘half day’ job for a client recently, portraits to publicise a documentary they’d made for the BBC. They’d asked my rates, I told them, they decided it was a half-day job, I booked it in. It subsequently changed date numerous times. So many, in fact, that I honestly can’t remember how many emails and calls I took where I was asked for the umpteenth time what my availability on this day or that week was as the people we were going to photograph weren’t available, or the producer of the project wasn’t available. Didn’t really matter – I just kept answering the question and re-booking the job in whenever they needed to change the date.

Eventually the day arrived and I had a lovely 2 hour drive to the location with the producer, and we got on famously. Did the job and had a lovely time and was cheerful and practical and helpful throughout, as much for my own benefit for anything else. Nobody wants their portraits shot by a moody negative arse, right? And there’s nothing worse than shooting portraits of someone who doesn’t like you and doesn’t want to be shot.

I’d booked and quoted for a half day rate, and by the time we got back to London it was a good couple of hours over, at least. Didn’t ever mention this on the day, it wasn’t important.

Downloaded my cards, did a rough photo-kill on the duffers, had a few beers, went to bed. Next day I went to work at my ‘other’ job (*cough* The Wright Stuff *cough*) and while there got a call from the client asking how soon they could get the images or at least some of them, as their client (the Beeb’s picture publicity department) needed some ASAP to start publicising the project.

Got home after the show, about noon-ish, and started working on them, did a final approval on the keepers, had to swap a couple of heads in from other shots to hide the dreaded blinkers in a couple of group shots (you know, it’s a great group portrait, but someone had to blink at that precise 1/100th of a second!) and threw together a gallery to upload to a private client area. Hint: buy Photo Mechanic and use the built-in Export feature to export in any one of a range of Flash or HTML galleries. I use Simpleviewer, and I tweak the HTML it produces to fit my website style. A couple of clicks and a miniscule bit of copy/paste in Coda and it’s ready to go.

Emailed gallery link to client. Client bloody well loved them (yay) and sent me the numbers of the ones they need ASAP to send to Auntie Beeb, and can I get them to them on a disc by the end of the week for them to send off? I offer to upload a ZIP archive of the selected photos to my site for them to download and send directly to the Beeb that very day. Oh no, they say, don’t go to any effort, so long as I can get a disc to them by the end of the week that should be okay.

Hah! I dig out the high res copies of those photos, around 70MB worth (and therefore not really email-able), compress them to an archive, upload the archive to my site (took 15 minutes to upload), send them the download link. 20 minutes later I get an email.

“What’s your day rate? We love the photos and are happy to pay your full rate for the day.”

Always go the extra mile! 🙂

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Editorial Photographic

how my gran won a photofriday

Nannan.JPGOccasionally I submit an entry to Photofriday – depends on the subject matter and if I have anything which is worthy! Last week the subject was ‘Grandmother’ so I submitted my favourite shot of my gran, Winnie. I shot it a few years ago with a borrowed Jessops flash, top-mounted (this was before the days of reading Strobist!), bounced off the wall behind me, then converted to B&W in Photoshop. I was just firing test shots off and missed a whole bunch of her pulling funny faces, but this is still a lovely shot of her so thank you to everyone that nominated! 🙂

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Editorial Photographic

get over your fears

I’m always interested in reading about folk that are successful doing creative things that they love to do (as opposed to punching a well-paid but tedious, soul destroying time card just for the $$$) – a couple of my favourites are David Hobby’s Strobist site, Chase Jarvis’ blog and John Keatley’s blog (yes, they’re all photographers – funny that!).

Apart from the inspiration (if an idea looks good, nick it!) and the education these sites offer, it’s also incredibly reassuring and encouraging to read their personal thoughts. As with all creative success stories, it’s rare, if ever, that you see the work that failed – no photographer puts the blurry, underexposed, badly framed photos online, right? And so it’s easy to wade through the work of someone like Chase and think, “F***, this dude rocks, every frame is priceless, how am I ever going to compete?”.

The thing is that these blogs take you beyond their priceless perfect shots and tell you more about who they are and how they work, and the ones I stick with are the ones that give it you warts and all. Chase recently Facebooked and Twittered throughout a commercial shoot, giving everyone that read the site a very transparent look at the scheduling and logistics of the shoot. Everything from what they had for breakfast to how they packed the trucks, to when each team arrived on location, to how they lit it and set up the camera, to how he shot once everything was up. He even replied to questions Twittered at him, so long as it didn’t compromise the corporate secrecy of the shoot’s subject matter. There were lots of interesting points but the stand out “Burn this to memory” point for me was that he made sure he got the absolute basic “The Client Wants This Shot” image out of the way first, and then they really went to work trying anything that came to mind, and the client loved it.

Anyway, what I’m getting to is this: I just got linked to book cover artist Henry Sene Yee’s blog, mainly to read the “How To Design Book Covers” blurb in the sidebar, quoted below:

HOW DO YOU DESIGN A BOOK COVER?

First you start with a blank page, stare and think really hard, drink lots of coffee, take lots of breaks, fix the copier jam, update your Facebook page, get over the fears that this project is the one that will finally expose you as the hack that you are, and then just trust to do what you feel is right from what you’ve read, present your ideas to find out how they live outside of your head, listen to feedback, try to leave work at a decent hour, have a life, floss, get enough sleep, have a good breakfast and come back the next day to redo it all over again. It’s that simple and fun. And if it isn’t, then get another blank page and start all over again.

There’s one phrase that stands out, for me. I see it all over the place. Chase Jarvis has used it, as has David Hobby on numerous occasions. It’s the phrase that gives me the most encouragement because it’s the phrase I say to myself before practically every single job:

this project is the one that will finally expose you as the hack that you are

Get over your fears! 🙂

With that in mind I got over some of my own personal fears this afternoon by going out on the street to literally walk up to total strangers and ask if I could take their picture using my new Lumiquest Softbox III.

I was terrified. I fear rejection!

Guess what percentage turned me down?

😉

Categories
Editorial Photographic

chasing the dream

Despite 9 years working in the entertainment industry I’ve only got 3 years of experience shooting stills on set, and although in that time I’ve made in-roads with most of the major TV broadcasters and have buckets of experience on set, working on this career is, like any other, a long-term endeavour with lots of long days and terrible paycheques along the way. But I do love it, which is half the battle! Frustratingly it really is only half the battle at this stage, the other half being largely taken up with knowing the right people to show your book to and getting the right breaks.

With that in mind, two bits of absolutely excellent news: first of all, tomorrow I’ve been invited to meet and observe one of the industry’s leading unit stills photographers on location in Surrey on Neil Marshall’s new film, which I’m really looking forward to. I won’t be allowed to shoot anything myself, but just the chance to see how an established professional shoots and interacts with the crew and talent will be absolutely indispensable experience, so I’m really looking forward to that and am extremely grateful to all those who pulled the necessary strings to make it happen!

Secondly, today I came across the website of another of the leading unit stills photographers, Alex Bailey. To my surprise and delight, he not only maintains an active blog, but he’s also written a book about publicity photography, called Movie Photos and available for the princely sum of just £19.99. I didn’t even think twice about ordering it…

Categories
Editorial Photographic

what i did at the weekend

If this were a homework assignment I’m afraid I’d be lying in the title as I actually did this last weekend. However, it’s not, so I’m allowing myself a little poetic license in order to use a snappy title.

Last weekend was one of my toughest assignments yet. I had to spend the entire day out in the sunshine in a lovely back garden up in picturesque Muswell Hill, photographing a series of decorations and party favours for Decor and Favour, a party accessories website. They even made me coffee and sandwiches to order! Like I said, tough gig…

When I first started in TV I spent a lot of time filming a series of 2-3 minute VTs for Great Food Live called ‘Objects of Desire’, where a producer would select a bunch of themed objects such as crockery or decorations and we’d shoot sexy angles of them, set to music. It’s been a long time now since I did that sort of thing but my personal photography is very heavily focussed on details and making the mundane look pretty so this sort of gig was right up my street. At this point the photos aren’t live on their site but here’s a few sneaky peeks.